Some listeners may feel, too, that it is the most successful of the three. ![]() (Rather aptly, the autograph manuscript of his own A minor piano concerto from eleven years later shows traces of Clara’s handwriting, particularly in the last movement.) It is as long as the other movements combined and, by some margin, the most technically demanding for the soloist, providing a vivid illustration of what an accomplished virtuoso Clara Wieck was at this stage of her musical development. His manuscript orchestration of (what became) the finale was written out in 1833 or, at the latest, early 1834. The final movement was the first to be written, originally a single movement Concertsatz, and orchestrated with the help of her father’s student, Robert Schumann. ![]() Already hailed as a child prodigy pianist, Clara Wieck (as she then was) began writing her Piano Concerto in A minor, Op 7, at the tender age of fourteen.
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